eXperience 112

A derelict research vessel becomes a cold, unsettling puzzle box in this unusual survival-horror adventure. You do not control stranded scientist Lea Nichols directly; instead, you operate the ship’s functioning surveillance network while she moves through locked corridors, flooded rooms, laboratories, and increasingly disturbing remnants of a failed experiment. The premise creates a persistent sense of distance and vulnerability, since Lea can only act on what you uncover through camera feeds, intercoms, and the vessel’s damaged systems. Its atmosphere leans more toward slow-burning paranoia than action-heavy horror, with the mystery of what happened aboard the tanker driving every discovery.

Progress revolves around switching between CCTV angles, examining rooms for clues, operating doors and machinery, and giving Lea instructions through the control interface. Each area presents practical obstacles: inaccessible routes, security measures, environmental hazards, missing equipment, and codes hidden in documents or visual details. Careful observation matters because a useful object may appear in one camera feed while its purpose only becomes clear elsewhere, and the ship’s layout gradually opens as systems come back online. Rather than testing reflexes with gunfights, the challenge comes from spatial awareness, deduction, and managing Lea’s movements without always seeing the whole situation.

Its surveillance-camera perspective remains the standout feature, turning a familiar abandoned-lab scenario into something closer to monitoring a tense interactive thriller. Fixed views and a deliberately clunky-looking control room interface make you feel like an unseen operator, while the limited perspective builds suspense around every blind corner. The story mixes scientific speculation, corporate secrecy, and psychological uncertainty, so apparent answers often deserve a second look. Players who enjoy the environmental puzzles and isolation of Myst, the observation-based tension of Five Nights at Freddy’s, or classic point-and-click mysteries should find plenty to like, though veterans should expect an older, methodical design rather than modern cinematic pacing.